1. |
Swirling Water
02:32
|
|||
|
I
Sitting on a dock
watching you swim
In a place you've never been
While I'm swirling water with my toes
Mirrored fingers circling skin—
The water waits for me
II
Hanging on a rock
In the middle of a lake
Nyiko was talking about his move to LA
There was a trout below us floating
In the calm, in the sway
(all this temporary pain)
The trout flipped it's tail
and I pushed off the rock
floating alongside
Until It was/ You were/I was
gone
|
||||
2. |
Cambridge, MA
02:24
|
|||
Tyler Daniel Bean Burlington, Vermont
Over a decade, Tyler Daniel Bean grew from a person and a guitar into a community of twenty or so friends from around the US. Ten releases and 350 odd shows later, they have primarily paused. But the core of the music remains: it is recognizing that functioning in the face of fear is striving to be human; it is finding a way to say "I want to live," even recognizing the relentlessness of it all. ... more
If you like Split w/ Into It. Over It., you may also like:
Information Retrieved
by Pinback
Pinback’s classic fifth album gets a brand new vinyl reissue, fleshed out by two bonus tracks recorded during the same time period.
go to album
90s alternative of the Pacific Northwest persuasion is given a lushly lo-fi update on this existential guitar record from Prathloons.
go to album
Biographer
by Giant Waste of Man
L.A.’s Giant Waste of Man turn out hammering, hooky rock songs with a vaguely psychedelic edge, anthemic and expansive.
go to album
Jessy Baby Forever
by Jess Harp
Jess Harp's angelic vocals float dreamily over a strummy mix of emo, country, and folk.
go to album
Rising Philadelphia band balance oversized pop punk hooks with vivid, intimate lyrics, presenting a raw, honest vision of guitar music.
go to album
Pono
by A Great Big Pile of Leaves
More feel-good indie from Brooklyn's A Great Big Pile of Leaves, all bristling guitar tones and expansive choruses.
go to album
Throwing mathcore, emo, and ambient into the mix, Estonia's Kaschalot push progressive rock's multitasking approach to its limits.
go to album
